阙云瑶 Yunyao Que
b.1997

常驻上海,游走于艺术与科技之间的实践者、写作者、展览策划者。近期策划展览:上海多伦美术馆“电子幻影:六个寓言”(2025)。艺术展评文章曾发表于《策展文化》、Sixty Inches from Center、FNewsmagazine等期刊。获复旦大学本科、芝加哥艺术学院研究生,艺术史&艺术管理双学位。她相信真实、未来与联系。

Based in Shanghai, Yunyao is a practitioner, writer, and curator who works across art and technology. Her recent curatorial project includes "Digital Phantom: Six Tales" at Shanghai Duolun Museum of Modern Art in 2025. Her art criticism has been published in Sixty Inches from Center, Curatorial Culture, and FNewsmagazine.Yunyao holds a Bachelor's Degree from Fudan University and a Dual MA Degree from the School of the Art Institute of Chicago in Arts Administration and Policy & Modern and Contemporary Art History. She believes in truth, future and connection.


︎︎︎ Email: yunyaoque@gmail.com
︎︎︎ Instagram
︎︎︎ LinkedIn
阙云瑶 Yunyao Que
504/GWT


常驻上海,游走于艺术与科技之间的实践者、写作者、展览策划者。近期策划展览:上海多伦美术馆“电子幻影:六个寓言”(2025)。艺术展评文章曾发表于《策展文化》、Sixty Inches from Center、FNewsmagazine等期刊。获复旦大学本科、芝加哥艺术学院研究生,艺术史&艺术管理双学位。她相信真实、未来与联系。

Based in Shanghai, Yunyao is a practitioner, writer, and curator who works across art and technology. Her recent curatorial project includes "Digital Phantom: Six Tales" at Shanghai Duolun Museum of Modern Art in 2025. Her art criticism has been published in Sixty Inches from Center, Curatorial Culture, and FNewsmagazine.Yunyao holds a Bachelor's Degree from Fudan University and a Dual MA Degree from the School of the Art Institute of Chicago in Arts Administration and Policy & Modern and Contemporary Art History. She believes in truth, future and connection.




︎︎︎ Email: yunyaoque@gmail.com
︎︎︎ Instagram
︎︎︎ LinkedIn

Misha Poklad (SAIC MFA Visual Communication Design 2024)
“misprint” & “codec”
from book series “APP: Analogue Processing Poetics”
2023
paper, accordion book, 5x5 inches when folded

Artwork Description

APP: Analogue Processing Poetics is a series of books, presenting algorithms for simple creative acts executed by utopic machines. Each book narrates a succinct but eloquent episode – a mechanistic haiku – of flow, change, and loss occurring in the digital realm. Inspired by 3D modeling software and visual coding languages, the books anatomize complex anthropological phenomena such as digitalization, cultural encoding, accumulation, and reproduction, distilling them into simple steps. Traveling over the folds’ contents, a signal, incarnated in the viewer’s pupil, activates each linear program. At first glance, cold and calculated, the pieces are tragicomic, highlighting the humor of machines’ inability to rationalize the human but also the tragedy of discarding the unrecognized “corrupt” files associated with synesthetic senses, illogic, and irrationality.

Bio
Misha Poklad is an experimental filmmaker and multimedia artist from Kyiv, Ukraine. With digital 3D at the core of his practice, Misha shapes the malleable polygonal meshes into typography, animation, and generative recursions. Exploring themes of disintegration and collapse through experimental writing and animation, he constructs elaborate fantasmagorical worlds just to observe their predestined entropy through the use of absurd imagery, uncontrolled hyperbole, and abstruse non-narrative. Utilizing virtual space as a terrain capable of controlled erosion, Misha generates the eclectic aesthetic of the Anthropocene, synthesizing grotesque humor and somber mourning. Currently, he is pursuing his MFA in Visual Communication Design at the School of the Art Institute of Chicago.


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