https://yunyaoque.com Yunyao Que Wed, 18 Mar 2026 15:31:12 +0000 https://yunyaoque.com en https://yunyaoque.com/digital-phantom-1 Wed, 18 Mar 2026 15:31:11 +0000 Yunyao Que https://yunyaoque.com/digital-phantom-1 01 电子幻影：六个寓言&nbsp;Digital Phantom: Six Tales &nbsp;&nbsp; Date:2025/04/23-2025/05/11Location:Shanghai Duolun Museum of Modern Art <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/b5de4b2712ec11861d7429ee69c322128ceeaffe8b7f0055e31b68fbdfa2a65e/_P1A7359-.jpg" data-mid="246213487" border="0" src="https://freight.cargo.site/w/1000/i/b5de4b2712ec11861d7429ee69c322128ceeaffe8b7f0055e31b68fbdfa2a65e/_P1A7359-.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/6e55950245ef1414694181b95fb0c19ece10267fa96610e8c612891da77ecce4/_P1A7307-.jpg" data-mid="246213490" border="0" src="https://freight.cargo.site/w/1000/i/6e55950245ef1414694181b95fb0c19ece10267fa96610e8c612891da77ecce4/_P1A7307-.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/0561e53bf0d907e53b78624345ac4549d5dd065a2aa800c9dba15e6e4e723fd3/_P1A7377-.jpg" data-mid="246213473" border="0" src="https://freight.cargo.site/w/1000/i/0561e53bf0d907e53b78624345ac4549d5dd065a2aa800c9dba15e6e4e723fd3/_P1A7377-.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/078379858961fb027d168518b7e6219373f22c1eb1c4e4634277210ab343a87d/_P1A7329-.jpg" data-mid="246213492" border="0" src="https://freight.cargo.site/w/1000/i/078379858961fb027d168518b7e6219373f22c1eb1c4e4634277210ab343a87d/_P1A7329-.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/c0b872bcdb7f59eb8dae453528fcd4e7d03a4074ac8a62da8236d2999a3b33e5/_P1A7362-.jpg" data-mid="246213488" border="0" src="https://freight.cargo.site/w/1000/i/c0b872bcdb7f59eb8dae453528fcd4e7d03a4074ac8a62da8236d2999a3b33e5/_P1A7362-.jpg" /> 数据浪潮席卷而来，如幽灵一般渗入生活的每一个角落。技术不再是中性的工具，而是成为重塑我们感知、身份与关系的主动力量。 本次展览汇聚了六件作品，来自上海纽约大学互动媒体艺术系的研究员们。每一件作品犹如一则寓言，回应着当下技术环境下的情感、命运、共生的构想——从人赠予AI的影像信件，到机械结构驱动的自我意识书写；从融合卡牌与AI机制的互动叙事，到网络空间的具身探索；从重建末日景观的生态社区，到与具备非人类感知的异质生命体展开交流。 这六则寓言不断追问：面对这不断演进的技术浪潮，我们应如何做好准备？当梦想与焦虑并存，我们应如何勇敢重塑这一未知的幻影？The data wave has swept in, infiltrating every corner of our lives like a ghost. Technology is no longer a neutral tool but a driving force that reshapes our perception, identity, and relationships. This exhibition brings together six works from researchers in the Interactive Media Arts program at NYU Shanghai. Each piece serves as a fable, addressing concepts of emotion, fate, and symbiosis within the current technological landscape--From a visual letter between humans and AI, to self-awareness expressed through mechanical structures; From interactive narratives combining card game with AI mechanisms, to virtual explorations of tangible cyberspaces; From reconstructing ecological communities in post-apocalyptic landscapes, to engaging with heterogeneous life forms possessing non-human perceptions. These six fables persistently ask: Facing this ever-evolving technological wave, how should we make preparations? When dreams and anxieties coexist, how can we courageously reshape this unknown phantom?&nbsp;参展艺术家：乔菲凡&amp;程卓、王语曈、姚佳沛、卞润禾、黄淅然、何芷琪Artists: Feifan Qiao&amp; Zhuo Cheng, Yutong Wang, Jiapei Yao, Leah Bian, Xiran Huang, Angy He <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/c0b872bcdb7f59eb8dae453528fcd4e7d03a4074ac8a62da8236d2999a3b33e5/_P1A7362-.jpg" data-mid="246213488" border="0" src="https://freight.cargo.site/w/1000/i/c0b872bcdb7f59eb8dae453528fcd4e7d03a4074ac8a62da8236d2999a3b33e5/_P1A7362-.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/5f1173e87991e9681841d1837b466aa59d0dcfba04407366be08c59797dad9d8/_P1A7436-.jpg" data-mid="246213489" border="0" src="https://freight.cargo.site/w/1000/i/5f1173e87991e9681841d1837b466aa59d0dcfba04407366be08c59797dad9d8/_P1A7436-.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/20d7e254e1d1721b642be519c3b7fbd177f4417b9a14236884b58cc5233c8776/_P1A7299-.jpg" data-mid="246224959" border="0" src="https://freight.cargo.site/w/1000/i/20d7e254e1d1721b642be519c3b7fbd177f4417b9a14236884b58cc5233c8776/_P1A7299-.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/9ed5d32747b50686734d22f3accbac6e96060c9a422de7fe7198cdbf3ed3a841/_P1A7419-.jpg" data-mid="246213480" border="0" src="https://freight.cargo.site/w/1000/i/9ed5d32747b50686734d22f3accbac6e96060c9a422de7fe7198cdbf3ed3a841/_P1A7419-.jpg" /> <img width="2000" height="2884" width_o="2000" height_o="2884" data-src="https://freight.cargo.site/t/original/i/2777b2728ba90926a566c1b326d92ded032fd296b87c964f74eb462c4307d5bf/_P1A7392-.jpg" data-mid="246224956" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/2777b2728ba90926a566c1b326d92ded032fd296b87c964f74eb462c4307d5bf/_P1A7392-.jpg" />&nbsp;<img width="2000" height="2999" width_o="2000" height_o="2999" data-src="https://freight.cargo.site/t/original/i/2ede2e9e3c12835d5af5ceaea2dfa9876cfdec46202e718b9a5906310fb0d909/_P1A7386-.jpg" data-mid="246224955" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/2ede2e9e3c12835d5af5ceaea2dfa9876cfdec46202e718b9a5906310fb0d909/_P1A7386-.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/1e42265e6640390787afe280b1b2041076c136eb11837ba4910620823cb27dcc/_P1A7338-.jpg" data-mid="246213479" border="0" src="https://freight.cargo.site/w/1000/i/1e42265e6640390787afe280b1b2041076c136eb11837ba4910620823cb27dcc/_P1A7338-.jpg" /> https://yunyaoque.com/Suitcase Thu, 07 Sep 2023 20:12:36 +0000 Yunyao Que https://yunyaoque.com/Suitcase 02 行李箱：旅游与迁移&nbsp; &nbsp;Suitcase: Travel &amp; Migration Date: 2023/05-2023/12Location: Bridgeport Art Centre, Chicago <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/307835213973c8a8d14e35896706c63566d125e9c7ed9879cc99cf1fb7543897/IMG_8907.JPG" data-mid="195788571" border="0" src="https://freight.cargo.site/w/1000/i/307835213973c8a8d14e35896706c63566d125e9c7ed9879cc99cf1fb7543897/IMG_8907.JPG" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/54059705a6054a7614ad992916ec6765612a170938fc257567b40934afaecace/IMG_4432_alt.jpg" data-mid="190083032" border="0" src="https://freight.cargo.site/w/1000/i/54059705a6054a7614ad992916ec6765612a170938fc257567b40934afaecace/IMG_4432_alt.jpg" /> <img width="5667" height="3778" width_o="5667" height_o="3778" data-src="https://freight.cargo.site/t/original/i/dc5abf7c2fb47a79f955700be38258f3edd14ea5cc492fbb96b1a6c9d71e1d3b/Yunyao-Que-Suitcase-wood-metal-paper-video-2023-NFS.jpg" data-mid="195787929" border="0" src="https://freight.cargo.site/w/1000/i/dc5abf7c2fb47a79f955700be38258f3edd14ea5cc492fbb96b1a6c9d71e1d3b/Yunyao-Que-Suitcase-wood-metal-paper-video-2023-NFS.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/cc76d5170bff5f90c969dae56c81516ad1a519bb04fb7eac8f94ee33b8d48589/Suitcae-detail-Adrian-Tizoc-Marshall-Gonzalez-Hierarchy-VHS-video-on-OLED-screen-plastic-external-battery-2023-NFS.jpg" data-mid="195787759" border="0" src="https://freight.cargo.site/w/1000/i/cc76d5170bff5f90c969dae56c81516ad1a519bb04fb7eac8f94ee33b8d48589/Suitcae-detail-Adrian-Tizoc-Marshall-Gonzalez-Hierarchy-VHS-video-on-OLED-screen-plastic-external-battery-2023-NFS.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/91a24ca7296642f92a44c8befa0da81cbf686d0fc071c06e319d547980354df1/artwork_ating.jpg" data-mid="195788297" border="0" src="https://freight.cargo.site/w/1000/i/91a24ca7296642f92a44c8befa0da81cbf686d0fc071c06e319d547980354df1/artwork_ating.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d2e0e427c161c220c214f8e3692fe3b1829db89e274260354e73da54a1a49303/Suitcae-detail-Moakshaa-Vohra-An-Exercise-in-Remembering-paper-2023-NFS.jpg" data-mid="195787764" border="0" src="https://freight.cargo.site/w/1000/i/d2e0e427c161c220c214f8e3692fe3b1829db89e274260354e73da54a1a49303/Suitcae-detail-Moakshaa-Vohra-An-Exercise-in-Remembering-paper-2023-NFS.jpg" /> 旅行，无论是“冒险”或是“流放”，都会在每个人的心中唤起不同的感受。“行李箱”既是游客携带个人物品的工具，也是这个流动便携式展览的概念与名称。该展览展出了六位艺术家的作品。 As an adventure or as an exile, the experience of traveling arouses different feelings in individuals. “Suitcase,” the name of a tool for tourists to handle personal belongings, is also the name for a portable exhibition that displays works by six artists. 参展艺术家 Participating artists&nbsp; Adrian Tizóc Marshall González, Ating Weng, Jonas Mueller-Ahlheim, Misha Poklad, Moakshaa Vohra, Sayera Anwar *点击浏览展览论文 View the accompanied research paper 行李箱里有什么？ What’s in the “Suitcase”? (左上抽屉 Top-Left Drawer) Moakshaa Vohra, "An Exercise in Remembering"（关于记忆的练习） 2023, 15 paper cards, 5x3 inches each &nbsp;<img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d2e0e427c161c220c214f8e3692fe3b1829db89e274260354e73da54a1a49303/Suitcae-detail-Moakshaa-Vohra-An-Exercise-in-Remembering-paper-2023-NFS.jpg" data-mid="195787764" border="0" data-scale="27" src="https://freight.cargo.site/w/1000/i/d2e0e427c161c220c214f8e3692fe3b1829db89e274260354e73da54a1a49303/Suitcae-detail-Moakshaa-Vohra-An-Exercise-in-Remembering-paper-2023-NFS.jpg" />&nbsp;<img width="1509" height="899" width_o="1509" height_o="899" data-src="https://freight.cargo.site/t/original/i/421100b89a17f78097dca81fdb24499476d01bdd6a2c76b527dc923227a12eab/Moakshaa-card6.png" data-mid="195791619" border="0" data-scale="28" src="https://freight.cargo.site/w/1000/i/421100b89a17f78097dca81fdb24499476d01bdd6a2c76b527dc923227a12eab/Moakshaa-card6.png" />&nbsp;<img width="1511" height="903" width_o="1511" height_o="903" data-src="https://freight.cargo.site/t/original/i/78562c305a24bade3d80bc3a7220fdccab20db51fc8f3767d5e1cbafd04b83bc/Moakshaa-card11.png" data-mid="195791620" border="0" data-scale="28" src="https://freight.cargo.site/w/1000/i/78562c305a24bade3d80bc3a7220fdccab20db51fc8f3767d5e1cbafd04b83bc/Moakshaa-card11.png" /> &nbsp; 在一次回到印度家乡的旅途中，Moakshaa意识到，旅行或迁徙会不可避免地影响家人和朋友对自己的回忆。回到她学校所在地芝加哥后，艺术家给家人和朋友寄送问卷，请他们描述她的外貌特征，并列出最后一次见到她的大致时间和地点。Moakshaa将每份匿名回复制作成“图书馆卡片”，她的作品便成为一座图书馆档案库，等待着观者阅读，并在脑海中勾勒出主人公的形象。 During a trip back to India, the artist realized that traveling or migration would inevitably shape the individual’s memories of family and friends. Back in Chicago, she sends questionnaires to her family and friends, asking them to describe her physical attributes and list the approximate time and location they last saw her. By compiling each anonymous response into a card, Moakshaa’s work becomes a library archive waiting for viewers to read and picture the person in mind. 点击查看艺术家如何形容她的作品 Click to view how the artist describes her work &nbsp;&nbsp; &nbsp; (左中抽屉 Left-Middle Drawer) Adrian Tizóc Marshall González, “Hierarchies”（等级制度） 2023, VHS video on OLED screen (1.5x2x1 inches), a miniature plastic ladder (5x2x1 inches), and external battery (1.6x4.9x3.7 inches) <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/cc76d5170bff5f90c969dae56c81516ad1a519bb04fb7eac8f94ee33b8d48589/Suitcae-detail-Adrian-Tizoc-Marshall-Gonzalez-Hierarchy-VHS-video-on-OLED-screen-plastic-external-battery-2023-NFS.jpg" data-mid="195787759" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/cc76d5170bff5f90c969dae56c81516ad1a519bb04fb7eac8f94ee33b8d48589/Suitcae-detail-Adrian-Tizoc-Marshall-Gonzalez-Hierarchy-VHS-video-on-OLED-screen-plastic-external-battery-2023-NFS.jpg" />&nbsp;&nbsp;<img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/86ae8d496fcb6d57571f528f57443cc45fd9157ee15e3b0479ae93e0bf26f9e4/Adrian-photo.JPG" data-mid="195798690" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/86ae8d496fcb6d57571f528f57443cc45fd9157ee15e3b0479ae93e0bf26f9e4/Adrian-photo.JPG" />Adrian在芝加哥偶然发现了一处废弃空间，并将拍摄的照片转录成VHS格式的视频。在这段画面出现故障的视频中，一架巨大的梯子占据了大约四分之一的画面，远处空间里还散落着几架梯子。Adrian从小在美国亚利桑那州出生长大，他始终能感受到过去的阴影、西班牙裔文化的影响以及殖民主义对社会的遗留影响。这间满是梯子的房间象征着等级制度和疏离感，人们在旅行、迁徙和文化交流中都可能遇到这些问题。但这个废弃空间也暗示着未来变革的可能性，等待着有人去发现并改变原有的等级制度。 Adrian encountered an abandoned space in Chicago and transferred the photo he took into a video in VHS format. In the glitching video, a giant ladder occupies about one-fourth of the whole picture, with several ladders scattered in the distance. Born and raised in Arizona, Adrian always feels the haunting of the past, the influence of Hispanic culture, and the legacy of colonialism on society. The room of ladders is a metaphor for hierarchy and alienation one may counter during travel, migration, and cultural exchange. But the abandoned space also implies a possibility of future change, waiting for someone to discover and transform the previous hierarchies. 点击查看艺术家如何形容他的作品Click to view how the artist describes his work &nbsp;&nbsp; (左下抽屉 Bottom-Left Drawer) Sayera Anwar, “Bachpan Ka Mela (Childhood Street Festival)” &amp; “Karkhana (The Factory)” （童年节日 &amp; 工厂） 2020, video, 03:25 2022, video, 02:15 &nbsp; <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/307835213973c8a8d14e35896706c63566d125e9c7ed9879cc99cf1fb7543897/IMG_8907.JPG" data-mid="195788571" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/307835213973c8a8d14e35896706c63566d125e9c7ed9879cc99cf1fb7543897/IMG_8907.JPG" /> 在影像“童年节日”中，Sayera80岁的奶奶讲述了她童年时与表兄弟姐妹在印度贾朗达尔（当时是巴勒斯坦人的家乡）参加节日庆典的故事。然而，由于印巴分治，奶奶被迫随家人作为穆斯林迁往巴基斯坦。自那以后，她再也没有回到过儿时的家。另一部视频作品《工厂》则展现了Sayera的母亲对巴基斯坦卡苏尔一个村庄的回忆。那里曾经有一座工厂，被广袤的果园环绕，属于一位著名的印度教商人。然而，工厂在老板被强行遣返回印度后被废弃，老板带走了机器的零件。Sayera的这两部视频作品都讲述了对故土遥远的记忆，并揭示了移民迁徙带来的深远影响。 In the “Bachpan Ka Mela (Childhood Festival),” the artist’s 80-year-old Nani (grandma) tells her story of visiting a festival as a child with her cousins in Jalandhar in India–their hometown at that time. However, Nani was forced to migrate to Pakistan with her family as Muslims because of the Partition. She has not visited her childhood home since then. The other video, “Karkhana (The Factory)”, presents Sayera’s mother’s memory of a village in Kasur, Pakistan. There used to be a factory surrounded by vast fruit fields owned by a prominent Hindu businessman. However, the factory was abandoned after the owner was forcibly returned to India and took parts of the machine with him. Both videos by Sayera narrate distant memories of the homeland and reveal the ongoing influence caused by migration. 点击查看艺术家如何形容她的作品 Click to view how the artist describes her work (右上抽屉 Top-Right Drawer)翁阿婷 Ating Weng, “Cathedrals”（教堂） 2023, paper, saddle-stitch book of 56 pages, 4x8 inches <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/91a24ca7296642f92a44c8befa0da81cbf686d0fc071c06e319d547980354df1/artwork_ating.jpg" data-mid="195788297" border="0" data-scale="36" src="https://freight.cargo.site/w/1000/i/91a24ca7296642f92a44c8befa0da81cbf686d0fc071c06e319d547980354df1/artwork_ating.jpg" /> <img width="2089" height="2926" width_o="2089" height_o="2926" data-src="https://freight.cargo.site/t/original/i/7415827b711581bc763db63bab3be45d4f3c268695c49189f461d31e103ec25a/AW-IMG_1998.JPG" data-mid="195799046" border="0" data-scale="17" src="https://freight.cargo.site/w/1000/i/7415827b711581bc763db63bab3be45d4f3c268695c49189f461d31e103ec25a/AW-IMG_1998.JPG" />&nbsp;<img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/571798c0d19b15dc29585678831efc97a3ca6f21e8423986ee032357c3bafdec/AW-IMG_1992.JPG" data-mid="195799040" border="0" data-scale="18" src="https://freight.cargo.site/w/1000/i/571798c0d19b15dc29585678831efc97a3ca6f21e8423986ee032357c3bafdec/AW-IMG_1992.JPG" /> 翁阿婷的摄影集《大教堂》研究了她在布拉格、天津、印第安纳波利斯、阿川、德累斯顿、布拉迪斯拉发、维也纳、瓜纳华托等不同城市旅行期间所遇到的建筑。这些建筑被艺术家自动归类到云盘中名为“教堂”的相册里。这部作品以一种幽默的方式，对人们在跨区域旅行中可能遇到的空间进行了类型学研究。它也质疑了人类对外部景观的印象和分类的准确性。 Ating Weng’s photography book “Cathedrals” studies the architecture she encountered during her journey in different cities such as Prague, Tianjin, Indianapolis, Ngawa, Dresden, Bratislava, Vienna, Guanajuato, etc. The architectures were automatically categorized into an album called “cathedrals” in the artist’s cloud drive. The work is a humorous typological research of the spaces one may encounter during transregional movements. It also questions the accuracy of human impressions and categorizations of external sceneries. 点击查看艺术家如何形容她的作品 Click to view how the artist describes her work &nbsp; &nbsp; &nbsp;&nbsp; (右中抽屉 Right-Middle Drawer) Misha Poklad, “misprint” &amp; “codec” （错印 &amp; 编解码器） from book series “APP: Analogue Processing Poetics” 2023, paper, accordion book, 5x5 inches each folded <img width="17421" height="4232" width_o="17421" height_o="4232" data-src="https://freight.cargo.site/t/original/i/3f9e8b417bc878802b9e8beba1961bbdc1dbc34287e3bd5fcce04c4b7d34793d/Misha-misprint.png" data-mid="195788448" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/3f9e8b417bc878802b9e8beba1961bbdc1dbc34287e3bd5fcce04c4b7d34793d/Misha-misprint.png" /> <img width="17518" height="4238" width_o="17518" height_o="4238" data-src="https://freight.cargo.site/t/original/i/e795f24eacf3c9cd8b37aad334627a5cadd5a2763b7c75cb6b037791bb7b6c7c/Misha-codec.png" data-mid="195788447" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/e795f24eacf3c9cd8b37aad334627a5cadd5a2763b7c75cb6b037791bb7b6c7c/Misha-codec.png" /> Misha在中间的抽屉展出了两本折叠书，分别是《错印》（2023）和《编解码器》（2023）。这位艺术家对文化编码和数字化很感兴趣。每本书的一面都印有一系列虚构机器的蓝图。观众可以在书的背面看到解释其运作机制的流程图。米沙的作品是寓言，旨在提醒观众，标准化的程序可能会导致对人类活动的误解。 Misha Poklad presents two accordion books on the middle shelf, “misprints” (2023) and “codec” (2023). The artist is interested in cultural encoding and digitalization. There is a blueprint of a series of imaginary machines on one side of each book. Viewers can see a flow chart on the back side explaining the mechanism. Misha’s works are allegories that remind viewers of the potential misinterpretation of human activities through standardized procedures.点击查看艺术家如何形容他的作品 Click to view how the artist describes his work (右下抽屉 Bottom-Right Drawer) Jonas Mueller-Ahlheim, “local painting” （本地绘画） 2023, house paint, monochrome painting in drawer, approximately 8.5x5 inches Jonas的作品《本地绘画》（2023）展现了旅行者逃离现状的精神。当“手提箱”被带到一个新的地方时，Jonas的抽屉里就会被倒入一层新的颜料，有些颜料甚至会溢出抽屉滴落。乔纳斯想要打破“手提箱”本身的系统性，并鼓励人们参与到他的作品创作中来。当“手提箱”被移动到其他地方时，任何人都可以添加新的颜料层。这件作品是一幅单色画，它的颜色会随着“手提箱”的旅程而变化。 The work “local painting” (2023) by Jonas Mueller-Ahlheim demonstrates travelers’ spirits in escaping the status quo. When “Suitcase” travels to a new place, a new layer of paint will be poured into Jonas’s drawer, and some paint may overflow and drip out of the drawer. Jonas wants to break the system “Suitcase” itself and encourages co-authorship in his work. Anyone else can add other layers of paint when “Suitcase” is moved to other places. This work is a monochrome painting that changes its color along with the journey of “Suitcase.”点击查看艺术家如何形容他的作品Click to view how the artist describes his work https://yunyaoque.com/Removing-Mountains Sat, 31 Dec 2022 20:44:43 +0000 Yunyao Que https://yunyaoque.com/Removing-Mountains 03 徐星睿：移山&nbsp; &nbsp;Xingrui Xu: Removing Mountains Date:2022/10/19-2022/11/26 Location: SITE Sharp Gallery, Chicago, USA <img width="5830" height="3887" width_o="5830" height_o="3887" data-src="https://freight.cargo.site/t/original/i/600d17647f162917b3bffdfaf1faa6b28c41476d28acaf0cbd7626d3931a2807/curation-Removing_ed_19.jpg" data-mid="163211659" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/600d17647f162917b3bffdfaf1faa6b28c41476d28acaf0cbd7626d3931a2807/curation-Removing_ed_19.jpg" /> <img width="5938" height="3959" width_o="5938" height_o="3959" data-src="https://freight.cargo.site/t/original/i/c0e686e38fccf04531c3b794c21417c81791661113712ca3445e659d1e3b92ae/curation-Removing_ed_7.jpg" data-mid="163211655" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/c0e686e38fccf04531c3b794c21417c81791661113712ca3445e659d1e3b92ae/curation-Removing_ed_7.jpg" /> <img width="5699" height="3799" width_o="5699" height_o="3799" data-src="https://freight.cargo.site/t/original/i/eb4e4543e0f1a7785ea1ceedca04666846ae82cd07034f87620a0b27a97e9ce6/curation-Removing_ed_9.jpg" data-mid="163211656" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/eb4e4543e0f1a7785ea1ceedca04666846ae82cd07034f87620a0b27a97e9ce6/curation-Removing_ed_9.jpg" /> <img width="5709" height="3806" width_o="5709" height_o="3806" data-src="https://freight.cargo.site/t/original/i/999cd3105d131f21cde719527e8e4ce5ff4f3537f5fcc8836347023e1060617e/curation-Removing_ed_18.jpg" data-mid="163211662" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/999cd3105d131f21cde719527e8e4ce5ff4f3537f5fcc8836347023e1060617e/curation-Removing_ed_18.jpg" /> <img width="5767" height="3845" width_o="5767" height_o="3845" data-src="https://freight.cargo.site/t/original/i/5e8600f2567d413381674d3016f69f0b6d719a77dbaf33d669e723b684df665a/curation-Removing_ed_3.jpg" data-mid="163211654" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/5e8600f2567d413381674d3016f69f0b6d719a77dbaf33d669e723b684df665a/curation-Removing_ed_3.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/02fdc2e57e13abd591201229eda6699ee6ed03d8ddf8a4d3f56ecc91a6860ddc/curation-Removing_ed_15.jpg" data-mid="163211658" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/02fdc2e57e13abd591201229eda6699ee6ed03d8ddf8a4d3f56ecc91a6860ddc/curation-Removing_ed_15.jpg" /> Photos by Verónica Rosas 本次展览呈现了徐星睿大胆尝试将陶土转化为各种形态的作品：由无数弯曲石柱构成的山峦、栩栩如生的裂纹佛像，以及抽象风景的陶瓷画。 徐星睿的创作灵感源于一则古老的寓言故事：一位老人坚信，只要日复一日地辛勤劳作，他和他的子孙后代就能移走两座山。同样，艺术家在与泥土的互动中也感受到了自然的力量，他由此踏上了一段艰辛的旅程，试图用陶瓷来诠释和理解世界。 This exhibition presents Xingrui Xu’s bold attempts to transform clay into various forms: a mountain composed of numerous curving columns, vivid Buddha heads with deep cracks, and ceramic paintings of abstract landscapes. Xu’s idea derives from an ancient fable about an elderly man who firmly believes that he and his descendants can remove two mountains through endless daily efforts. Likewise, the artist encounters the force of nature during his interaction with the earthy material. Xu has started an arduous journey to use ceramics to interpret and understand the world. 展览文章&nbsp;Curatorial Statement 展览手册 Exhibition Brochure <img width="1169" height="1114" width_o="1169" height_o="1114" data-src="https://freight.cargo.site/t/original/i/5e2bbcdfedb50c02d8e9c0206b0762794b7d2e57fea4c37b7b78bae18bccd04a/curation-Removing-brochure3.jpeg" data-mid="163211845" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/5e2bbcdfedb50c02d8e9c0206b0762794b7d2e57fea4c37b7b78bae18bccd04a/curation-Removing-brochure3.jpeg" /> Designed by Ating Weng from&nbsp;PrintED Studio&nbsp; 布展视频 Installation video Filmed by Mihye Kang 致谢 Acknowledgement We deeply appreciate all the support and cooperation of the team of SITE Galleries. Thank you, Esraa Youssef, Kate Humphrey, Michelle Davo Ortiz, Zsa zsa Helmin, Charlie Miller, Joseph Josué Mora, Thuong Tran, and all the other staff who helped to realize this exhibition. We also want to thank Jessica Cochran for providing valuable insights and guidance for the curator. https://yunyaoque.com/Exhibition-Reviews Sat, 31 Dec 2022 20:44:44 +0000 Yunyao Que https://yunyaoque.com/Exhibition-Reviews 04 艺术展评&nbsp; &nbsp;Exhibition Reviews Weaving Melodies: A Review of Qianwen Yu’s Woven Symphony The lines between weaving and music grow porous in Yu’s exhibition at Woman Made Gallery. Jan 15, 2024 Sixty Inches from Center You Are Not Alone in the “Beautiful Diaspora” An exhibition in Museum of Contemporary Art Photography in Chicago reimagines bitter history across geographic boundaries.Apr 20, 2022&nbsp; &nbsp;FNewsmagazine A Walk Through an “Available City” 2021 Chicago Architecture Biennial views abundant vacant lots as sites of emergenceDec 18, 2021&nbsp; &nbsp;FNewsmagazineMonet or Moneygrab? Reconsidering the “immersive experiences” of modern mastersOct 30, 2021&nbsp; &nbsp;FNewsmagazine <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/072e74c382178f02038b8f46e72945cb5507b187807744a845a915224f117d62/article-monet.png" data-mid="163204750" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/072e74c382178f02038b8f46e72945cb5507b187807744a845a915224f117d62/article-monet.png" /> Illustration by Anna Cai, SAIC (Chinese) Cezanne: Calm and rational, artist’s artist Reviewing the retrospective “Cezanne” in Art Institute of ChicagoNov 2022&nbsp; &nbsp;Journal of Curating Culture (Chinese) Exhibition as Map: Reflection on multicultural exhibitions How do contemporary curators arrange works from different cultures in exhibitionsOct 24, 2022&nbsp; &nbsp;Yimo (Chinese) Tree, Documenta 15 &amp; Wagiwagi Documenta 15 grew like a thriving tree and Wagiwagi was one of the many projects reconnecting human with nature&nbsp; Aug 10, 2022&nbsp; &nbsp;Yimo https://yunyaoque.com/Other-Writings Sat, 31 Dec 2022 20:44:44 +0000 Yunyao Que https://yunyaoque.com/Other-Writings 05 其他写作 Other Writings (Chinese)&nbsp;Messenger of Light: The Science and Technology Behind the Black Hole Image A popular science article about how we are able to "see" the picture of black holes. 2025 Ship and Sea, Cities and Riddles An interactive novel about a dream-like travel to five (un)real cities 2022 <img width="2838" height="1462" width_o="2838" height_o="1462" data-src="https://freight.cargo.site/t/original/i/8332c7799d377a4dd00bd7d09f2282178ce986fa3de238782996b03cd91cd2b7/2022-12-31-3.55.04.png" data-mid="163203186" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/8332c7799d377a4dd00bd7d09f2282178ce986fa3de238782996b03cd91cd2b7/2022-12-31-3.55.04.png" /> https://yunyaoque.com/Overview Wed, 18 Mar 2026 15:31:12 +0000 Yunyao Que https://yunyaoque.com/Overview <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/b5de4b2712ec11861d7429ee69c322128ceeaffe8b7f0055e31b68fbdfa2a65e/_P1A7359-.jpg" data-mid="246224973" border="0" src="https://freight.cargo.site/w/1000/i/b5de4b2712ec11861d7429ee69c322128ceeaffe8b7f0055e31b68fbdfa2a65e/_P1A7359-.jpg" /> 01 电子幻影：六个寓言&nbsp; &nbsp;Digital Phantom: Six Tales 数据浪潮席卷而来，如幽灵一般渗入生活的每一个角落。技术不再是中性的工具，而是成为重塑我们感知、身份与关系的主动力量。本次展览汇聚了六件作品，来自上海纽约大学互动媒体艺术系的研究员们。每一件作品犹如一则寓言，它们不断追问：面对这不断演进的技术浪潮，我们应如何做好准备？当梦想与焦虑并存，我们应如何勇敢重塑这一未知的幻影？ The data wave has swept in, infiltrating every corner of our lives like a ghost. Technology is no longer a neutral tool but a driving force that reshapes our perception, identity, and relationships. This exhibition brings together six works from researchers in the Interactive Media Arts program at NYU Shanghai. Each piece serves as a fable, they persistently ask: Facing this ever-evolving technological wave, how should we make preparations? When dreams and anxieties coexist, how can we courageously reshape this unknown phantom? Read more 2025/04-2025/05 ︎ <img width="5667" height="3778" width_o="5667" height_o="3778" data-src="https://freight.cargo.site/t/original/i/dc5abf7c2fb47a79f955700be38258f3edd14ea5cc492fbb96b1a6c9d71e1d3b/Yunyao-Que-Suitcase-wood-metal-paper-video-2023-NFS.jpg" data-mid="246224989" border="0" src="https://freight.cargo.site/w/1000/i/dc5abf7c2fb47a79f955700be38258f3edd14ea5cc492fbb96b1a6c9d71e1d3b/Yunyao-Que-Suitcase-wood-metal-paper-video-2023-NFS.jpg" /> 02 行李箱：旅行与迁移&nbsp; &nbsp;Suitcase: Travel &amp; Migration 旅行，无论是“冒险”或是“流放”，都会在每个人的心中唤起不同的感受。“行李箱”既是游客携带个人物品的工具，也是这个流动便携式展览的概念与名称。该展览展出了六位来自不同国家的艺术家的作品，呈现他们各自对于跨地域迁移流动的理解。 As an adventure or as an exile, the experience of traveling arouses different feelings in individuals. “Suitcase,” the name of a tool for tourists to handle personal belongings, is also the name for a portable exhibition that displays works by six artists　from different countries, showing their understandings of transregional movements. Read more 2023/05-2023/12 ︎ <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/02fdc2e57e13abd591201229eda6699ee6ed03d8ddf8a4d3f56ecc91a6860ddc/curation-Removing_ed_15.jpg" data-mid="246224991" border="0" src="https://freight.cargo.site/w/1000/i/02fdc2e57e13abd591201229eda6699ee6ed03d8ddf8a4d3f56ecc91a6860ddc/curation-Removing_ed_15.jpg" /> 03 移山&nbsp; &nbsp;Removing Mountains 本次展览呈现了艺术家徐星睿对陶土的大胆尝试：由无数弯曲石柱构成的山峦、栩栩如生的裂纹佛像，以及抽象风景的陶瓷画。艺术家的创作灵感源于“愚公移山”寓言：一位老人坚信，只要日复一日地辛勤劳作，他和他的子孙后代就能移走两座山。同样，艺术家在与泥土的互动中也感受到了自然的力量，他正开启一段漫长的旅程来诠释和理解世界。 This exhibition presents artist Xingrui Xu’s bold attempts to transform clay into various forms: a mountain composed of numerous curving columns, vivid Buddha heads with deep cracks, and ceramic paintings of abstract landscapes. Xu’s idea derives from an ancient Chinese fable about an elderly man who firmly believes that he and his descendants can remove two mountains through endless daily efforts. Likewise, the artist encounters the force of nature during his interaction with the earthy material. Xu has started an arduous journey to use ceramics to interpret and understand the world. Read more 2022/10-2022/11 ︎ <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/3cf88fc06ee82d5ac040e9e552c6942156e20f9f923eeb0a0f40db52f51d5480/article-diaspora.jpg" data-mid="246335017" border="0" src="https://freight.cargo.site/w/1000/i/3cf88fc06ee82d5ac040e9e552c6942156e20f9f923eeb0a0f40db52f51d5480/article-diaspora.jpg" /> 04 艺术展评 Exhibition Reviews 对芝加哥、上海等地展览评论的文章发表，涵盖双年展、群展、当代艺术理论、艺术家个人作品分析等 Published articles reviewing exhibitions in Chicago, Shanghai, and other cities, covering biennials, group exhibitions, contemporary art theory, and analysis of individual artists' works. Read more 2021-Present ︎ <img width="3000" height="1996" width_o="3000" height_o="1996" data-src="https://freight.cargo.site/t/original/i/70cf8c0c17cd9910f519e0ad9ce5058461c4c21bd74e0d5b346357a6fde80b56/__9_0029.jpg" data-mid="246335019" border="0" src="https://freight.cargo.site/w/1000/i/70cf8c0c17cd9910f519e0ad9ce5058461c4c21bd74e0d5b346357a6fde80b56/__9_0029.jpg" /> 05 其他写作 Other Writings 不被定义的写作持续进行与更新中，包含图像小说、科普文章等 Undefined writing being updated, including graphic novels, science articles, etc. Read more 2025-Present ︎